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Brown glass Purex bleach bottle bottoms, red DeSoto tail lights, Rhinelander shorty bottles plus an array of multi-colored glass shards applied to concrete portrait-figures half-century ago still make Fred Smith's sculptures glimmer in the setting sun. The Wisconsin elements chip away at the statues as the Wisconsin Concrete Park staff collect fallen glass fragments then label them in anticipation of future restoration efforts. When we visited WCP on July 11, 2013 to give a replicas workshop as part of our JM Kohler Arts Center residency, the grounds were dense with sculptures and trees compared with the old real photo post cards from the 1950s in our collection (see our "rephotographs" above). The ambition of Smith's project remains remarkable. Lisa Stone and Jim Zanzi's 1991 book The Art of Fred Smith describes a man driven by a vision and inspired by "his sense of local or national history." Smith's ongoing project was not ignored by travelers in his time. A Chicago Tribune Magazine article referred to Smith as a "North Woods Picasso" in 1964. According to Stone and Zanzi, Life Magazine called him the "Grandpa Moses of Cement" in 1969. To this day some of WCP's closest neighbors have never taken a stroll through Smith's wonderland. Writes Leslie Umberger in Sublime Spaces & Visionary Worlds (Princeton Architectural Press, 2007), "While some folks in the area were interested in his art project, others believed he was crazy and that his work was just clutter in the landscape. Nevertheless, Smith remained deeply committed to his art and always believed that it was important for people to see it" (178). His project retained the attention of creatives whose combined fascination and efforts have served to preserve WCP. Included on the Kohler Foundation and Kohler Arts Center's Wandering Wisconsin Road Trip Itineray, WCP and other Wisconsin art environments remain mystic places of pilgrimage.

Curator Lisa Stone and Jim Zanzi's 1991 book, The Art of Fred Smith, quotes Fred Smith (1886-1976), a self-taught artist, fiddle player, Christmas Tree/Ginseng farmer, and Rock Garden Tavern owner, as saying:"It's gotta be in ya to do it." That says it all and is something we try to convey to students when we teach. Smith worked on his Concrete Museum (see above real photo postcards) from 1948 until 1964 when a stroke hit him just after finishing his Budweiser Clydesdale tableau. Smith landed in a rest home and lived another decade. Stone and Zanzi presented Fred Smith's Wisconsin Concrete Park rationale in the below passage. The WCP remains an attraction in Phillips with active programs and efforts to preserve Smith's creation.

Ozzie Sweet considered himself a "photo illustrator" making photographs for baseball trading cards, magazine covers, and apparently postcards such as this one of a couple consuming the landscape of Wisocnsin. He aligned himself with Norman Rockwell in his portrayal of Americana and use of painterly techniques in constructing his photographs. He died February of 2013 at the age of 94.